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ATGET, E. Old Paris. (2011). 4°. Ohcl. Exhibition catalogue in 1 vol. -- M. NESBIT. Atget's seven albums. (1992). -- P. BARBERIE. Looking at Atget. (2005). -- J. BORCOMAN, (a.o.). Eugène Atget 1857-1927. 1984. -- K. HELLMAN. Real ideal. Photography in Mid-Nineteenth-Century France. (2016). -- 5 vols. 4°. Ocl. w. dust-j.

BAER, U. Spectral evidence. The photography of trauma. (2002). -- A. COHEN. On European ground. (2001). 4°. -- G. DIDI-HUBERMAN. Images in spite of all. 4 photographs from Auschwitz. Transl. by S.B. Lillis. (2008). -- A.W. TUCKER, (a.o.). War/photography. Images of armed conflict and its aftermath. (2012). Fol. -- 4 vols. Or. binds. w. dust-j. -- And 3 o. (7).

BALDWIN, G. (a.o.). All the mighty world. The photographs of Roger Fenton, 1852-1860. (2004). 4°-obl. Ocl. w. dust-j. -- R. TAYLOR. Impressed by light. British photographs from paper negatives, 1840-1860. (2007). 4°-obl. Ocl. w. dust-j. -- S. STEVENSON. The personal art of David Octavius Hill. (2002). 4°. Obrds. w. dust-j. -- M. MAFFIOLI, ed. Fratelli Alinari. Photographers in Florence. (2003). 4°. Owrps. -- I. ZANNIER. Veneto. Fotografie tra '800 e '900 nelle collezioni Allinari. (2010). 4°. Owrps. -- And 3 o. (8).

BARBERIE, P. & A.N. BOCK, eds. Paul Strand. Master of modern photography. (2014). Fol.-obl. Ocl. w. dust-j. -- L. RUBINFIEN. Garry Winogrand. (2013). Fol. Ocl. w. dust-j. -- N. RAPAPORT & E. STOLLER. Ezra Stoller, photographer. (2012). Fol. Obrds. w. dust-j. -- (3).

BECHER, B. & H. Blast Furnaces. Cambr. MA, (etc.), (1990). 15 pp. W. 223 plates. 4°. Ocl. w. dust-j. -- Id. Gas tanks. Cambr. MA, (etc.), (1993). 9 pp. W. 102 plates. 4°-obl. Ocl. w. dust-j. -- 2 vols. First English language editions. As new.

BECHER, B. & H. Cooling Towers. Cambr. MA, (etc.), (2005). (6) pp. W. 236 plates. Lge-4°. Ocl. w. dust-j. -- Id. Industrial Landscapes. Cambr. MA, (etc.), (2002). 11 pp. W. 180 plates. 4°-obl. Ocl. w. dust-j. -- (2). First English language editions. As new.

BECHER, B. & H. Grain Elevators. Cambr. MA, (etc.), (2006). (6) pp. W. 246 plates. Lge-4°. Ocl. w. dust-j. -- Id. Typologies. Ed. w. an introd. by A. Zweite. Cambr. MA, (etc.), (2004). 35, (3) pp. & 130 plates. Lge-4°-obl. Ocl. w. dust-j. (Lower outer corners a bit dented). -- (2). First English language editions. As new.

BECHER, B. & H. Industrial Facades. Cambr. MA, (etc.), (1995 ). 7 pp. W. 264 plates. 4°-obl. Ocl. w. dust-j. -- Id. Mineheads. Cambr. MA, (etc.), (1997). 6 pp. W. 190 plates. 4°-obl. Ocl. w. dust-j. (Dust-j. partially slightly browned). -- Id. Framework Houses. Cambr. MA, (etc.), (2001). 17, (3) pp. W. 350 plates. Sm-4°. Ocl. w. dust-j. -- 3 vols. First English language editions. As new.

BECHER, B. & H. Typologies. Ed. w. an introd. by A. Zweite. Cambr. MA, (etc.), (2004). 35, (3) pp. & 130 plates. Lge-4°-obl. Ocl. w. dust-j. -- S. LANGE. Bernd and Hilla Becher. Life and work. Transl. by J. Gaines. Cambr. MA, (etc.), (2007). 247 pp. Lge-4°. Obrds. w. dust-j. -- 2 vols. First English language editions. As new.

BECHER, B. & H. Water Towers. Cambr. MA, (etc.), (1988). 13, (3), 223 pp. 4°. Ocl. w. dust-j. -- Id. Typologies. Ed. w. an introd. by A. Zweite. Cambr. MA, (etc.), (2004). 35, (3) pp. & 130 plates. Lge-4°-obl. Ocl. w. dust-j. (Lower outer corners a bit dented). -- (2). First English language editions. As new.

BLOSSFELDT, K. Working collages. Ed. by A. & J. Wilde. (2001). Lge-8°-obl. Ocl. w. dust-j. -- J. BURCHFIELD. Primal images. 100 lumen prints of Amazonia Flora. (2000). Lge-4°. Ocl. w. dust-j. -- J. MALCOLM. Burdock. (2008). Lge-4°. Ocl. w. dust-j. -- And 2 o. (5).

BUSH, A. Drive. (2008). 4°-obl. Ocl. w. dust-j. -- J. WOLKE. Along the divide. Photographs of the Dan Ryan Expressway. (2004). 4°-obl. Ocl. w. dust-j. -- P. HIRSHORN & S. IZENOUR. White Towers. (2007). 4°. Ocl. w. dust-j. -- C. FORSMAN. Western rider. Views from a car window. (2003). Lge-8°-obl. Obrds. w. dust-j. -- And 3 o. (7).

CARTIER-BRESSON, H. Images a la sauvette. Paris, Éd. Verve, (1952). (77) lvs. W. tog. 126 photogr. Fol. Or. illustr. brds. after design by H. Matisse. (Spine a bit age-toned, and a bit bumped in places (espec. at top and foot), but a very well preserved copy).

CARTIER-BRESSON, H. Les Européens. Paris, Éd. Verve, (1955). (68) lvs. W. tog. 114 photogr. Fol. Or. illustr. brds. after design by J. Miro. (Top and foot of spine unobtrusively dam., some very light wear to outer corners, but a very well preserved copy).

CHÉROUX, C., (a.o.). The perfect medium. Photography and the occult. (2005). 4°. Or. pictorial brds. -- S. BANN, ed. Art and the early photographic album. (2011). 4°. Ocl. w. dust-j. -- E.W. EASTON, ed. Snapshot. Painters and photography, Bonnard to Vuillard. (2011). 4°. Ocl. w. dust-j. -- L.J. SCHAAF. Out of the shadows. Herschel, Talbot and the invention of photography. 1992. 4°. Ocl. w. dust-j. -- (4).

COOKE, L. & D. CRIMP, ed. Mixed use, Manhattan. Photography and related practises, 1970s to the present. (2010). 4°. Or. pictorial brds. -- M. KLEIN & C. EVANS. The radical camera. New York's Photo League 1936-1951. (2012). 4°. Or. pictorial brds. w. dust-j. -- D.M. KAO, (a.o.). Ben Shahn's New York. The photography of modern times. (2000). 4°. Ocl. w. dust-j. -- S. GREENBERG. Invisible New York. The hidden infrastructure of the city. (1998). 8°-obl. Ocl. w. dust-j. -- N. LYONS. After 9/11. (2003). 8°-obl. Ocl. w. dust-j. -- And 1 o. (6).

D'AMATO, P. Barrio. Photographs from Chicago's Pilsen and Little Village. (2006). Lge-4°-obl. Ocl. w. dust-j. -- D. JORDANO. Articles of faith. African-American community churches in Chicago. (2009). Lge-4°-obl. Or. pict. brds. w. dust-j. -- A. MORELL. The universe next door. (2013). 4°-obl. Obrds. w. dust-j. -- L. REUTER. Marking the land. Jim Dow in North Dakota. (2007). 4°-obl. Owrps. -- J. KNUUTILA. Joka hetki on poikkeus. (1987). 4°. Ohcl. One of 250 numb. copies. -- And 3 o. (8).

DASGUPTA, P. Edge of faith. (2009). 4°. Or. pictorial brds. w. dust-j. -- S.T. GOODMAN. Dateline: Israel. New photography and video art. (2007). 4°-obl. Or. pictorial brds. -- L. SONNENFELD. Eyes of memory. Photographs from the archives of H. & L. Sonnenfeld. (2004). 4°. Obrds. w. dust-j. -- S. MEISELAS. Kurdistan. In the shadow of history. (1997). 4°. Owrps. -- S. SHERBELL. Soviets. Pictures from the end of the USSR. (2001). 4°. Ohcl. w. dust-j. -- And 6 o. (11).

DAVIS, K.F. The photographs of Homer Page. The Guggenheim year: New York, 1949-50. (2009). Lge-4°. Ocl. -- J.A. RIIS. Revealing New York's other half. A complete catalogue of his photographs. (2015). Lge-8°. Ocl. w. dust-j. -- M. KOZLOFF. New York, capital of photography. (2002). Fol. Ocl. w. dust-j. -- C.J. VERGARA. Harlem, the unmaking of a ghetto. (2013). Lge-8°-obl. Ocl. w. dust-j. -- And 3 o. (7).

DAVIS, K.F. Timothy H. O'Sullivan. The King Survey Photographs. (2011). 4°-obl. Ocl. -- T. JUROVICS, (a.o.). Framing the West. The survey photographs of Timothy H. O'Sullivan. (2010). 4°. Obrds. w. dust-j. -- M.A. SANDWEISS. Print the legend. Photography and the American West. (2002). Sm-4°. Ocl. w. dust-j. -- F. BRUNET & B. GRIFFITH, eds. Images of the West. Survey photographs in French collections, 1860-1880. (2007). 4°. Or. pict. brds. -- J. SNYDER. One/many. Western American survey photographs by Bell and O'Sullivan. (2006). 8°-obl. Owrps. -- (5).

DEAL, J. West and West. Reimagining the Great Plains. (2009). 4°. Ocl. -- Added: R. ADAMS. Sea stories. - What can we believe where. Photographs of the American West. - This day. (2010-11). 3 vols. 4°. Owrps. -- First editions. -- And 1 o. by Adams. (5).

DIAS, P. Fotografie/Photographs 1956-2015. (2015). Lge-8°. Ocl. w. dust-j. -- J. HANZLOVÁ. (55 photographs, 1990-1994). (2011). 4°. Ohcl. pict. brds. -- S. SHERBELL. Soviets. Pictures from the end of the USSR. (2001). Fol. Ocl. w. dust-j. -- And 3 o. (6).

EASTON, E.W., ed. Snapshot. Painters and photography, Bonnard to Vuillard. (2011). -- D. KOSINSKI. The artist and the camera. Degas to Picasso. (1999). -- (M. WEAVER, ed.). The art of photography 1839-1989. (1989). -- C.K. CARR. Hans Namuth, portraits. (1999). -- 4 vols. 4°. Or. binds. w. dust-j. -- And 4 o. on photography and the art world. (8).

EDWARDS, E., ed. Anthropology and photography, 1860-1920. 1992. 4°. Obrds. w. dust-j. -- I. BARBASH. Where the roads all end. Photography and anthropology in the Kalahari. (2016). Lge-8°. Owrps. -- B. PRESSER. Surabaya beat. A fairy tale of ships, trade and travels in Indonesia. (2015). 4°. Or. bind. -- J.L. COMAROFF, (a.o.). Picturing a colonial past. The African photographs of Isaac Schapera. (2007). 4°. Owrps. -- Chr.M. GEARY. Images from Bamum. German colonial photography at the Court of King Njoya. Cameroon, West Africa, 1902-1915. (1988). 4°. Owrps. -- And 1 o. (6).

ELSKEN -- APPEL, K. Musique barbare. (Foreword by J. Vrijman). (Baarn, The World's Window, 1963). W. 12 inch 33 RPM record in sleeve (= 2 pp.) and (28) pp., w. more than 30 photogr. by E. v.d. Elsken in colour and b&w. Lge. square 4°. Or. clothbacked photogr. brds. (Apart from some minor wear a mint copy).

FIEDLER, J., ed. Photography at the Bauhaus. (1990). -- V. BIRGUS. Czech Photographic Avant-garde, 1918-1948. (2002). -- M. TUPITSYN. El LIssitzky, beyond the Abstract Cabinet. (1999). -- T.E. HINSON, (a.o.). Forbidden games. Surrealist and modernist photography. (2014). -- 4 vols. 4°. Or. binds. w. dust-j. -- And 10 o. on experimental photography. (14).

FRIED, M. Why photography matters as art as never before. (2008). 4°. Obrds. w. dust-j. -- H. FRAMPTON. On the camera arts and consecutive matters. Ed. by B. Jenkins. (2009). Ohcl. -- V. HECKERT. Light, paper, process. Reinventing photography. (2015). 4°. Or. stiff pict. brds. -- G. GARNER. Disappearing witness. Change in 20th-c. American photography. (2003). 4°. Obrds. w. dust-j. -- And 6 o. (10).

FRIEDLANDER, L. Western landscapes. (2016). Fol.-obl. Or. pict. brds. -- Id. Dressing up. Fashion Week NYC. (2015). Lge-4°. Or. pictorial brds. -- Id. In the picture. Self-portraits 1958-2011. (2011). Lge-8°-obl. Or. pict. bind. -- And 1 o. (4).

FRIZOT, M. & A.-L. WANAVERBECQ. André Kertész. (Paris, Éd. Hazan/Jeu de Paume, 2010). 359 pp. Fol. Obrds. w. dust-j.

GARNER, G. Disappearing witness. Change in 20th-c. American photography. (2003). 4°. Obrds. w. dust-j. -- A. BOROWIEC. Industrial perspective. Photographs of the Gulf coast. (2005). 8°-obl. Ocl. w. dust-j. -- O. SEMCHISHEN. In plain view/Voir clair. (1988). 4°. Owrps. -- P. MEYER. A kind of touching beauty. Photographs of America. (2012). 4°. Ocl. w. dust-j. -- And 13 o. (17).

GIARD, R. Particular voices. Portraits of gay and lesbian writers. (1997). 4°. Ocl. w. dust-j. -- L. FRIEDLANDER. Portraits. The human clay. (2015). 4°. Or. pict. brds. -- J.J. ROSS. Portraits of the Hazleton public schools. (2006). Lge-4°. Ohcl. pict. brds. -- Chr. MARKER. Staring back. (2007). 8°-obl. Or. pict. brds. -- And 12 o., mainly on portrait photography. (16).

GOWIN, E. Changing the earth. Aerial photographs. (2002). Lge-4°. Ocl. w. dust-j. -- B. BOSWORTH. Trees national champions. (2005). 4°-obl. Ocl. w. dust-j. -- J. CORNER & A.S. MACLEAN. Taking measures across the American landscape. (1996). 4°-obl. Obrds. w. dust-j. -- P. GOIN. Nuclear landscapes. (1991). 4°-obl. Owrps. -- And 3 o. (7).

JANIS, E.P. The photography of Gustave Le Gray. (1987). 4°-obl. Ocl. w. dust-j. -- S. KENNEL. Charles Marville, photographer of Paris. (2013). 4°. Ocl. w. dust-j. -- And 1 o. (3).

KIMBALL, J. Where we find ourselves. (2006). 4°-obl. Ocl. w. dust-j. -- W. DOHERTY. Requisite distance. (2009). 8°-obl. Or. pictorial brds. -- (N. LYONS & J. COX, eds.). The art of Frederick Sommer, photography, drawing, collage. (2005). Fol. Ocl. w. dust-j. -- J. WILLIS & T. YOUNG. Recycled realities. (2006). 4°. Ocl. w. dust-j. -- D. FOGELSON. The time after. (2009). 8°-obl. Ocl. -- And 5 o. (10).

KINSEY, J.L. Plain pictures. Images of the American prairie. (1996). 4°-obl. Ocl. w. dust-j. -- E. PADDOCK. Belonging to the West. (1996). Lge-8°-obl. Ocl. w. dust-j. -- D.A. OWEN. Like no other place. The Sandhills of Nebraska. (2010). 4°. Or. pictorial brds. w. dust-j. -- H. & H.-J. KOCH. Buffalo ballad. On the trail of an American icon. (2014). Fol. Ocl. w. dust-j. -- And 8 o. on the American 'countryside'. (12).

KOUDELKA, J. Nationality Doubtful. Ed. by M.S. Witkovsky. New Haven, (etc.), Yale UP, (2014). 225 pp. Fol. Owrps. - First ed., as new.

KRACAUER, S. The past's threshold. Essays on photography. (2014). Owrps. -- D. BARNOUW. Critical realism. History, photography, and the work of Siegfried Kracauer. (1994). Owrps. -- G. BATCHEN. Photography degree zero. Reflections on Roland Barthes's Camera Lucida. - Id. Each wild idea. - Id. Burning with desire. The conception of photography. (1997-2009). 3 vols. 4°. Or. binds. w. dust-j. -- R. BOLTON, ed. The contest of meaning. Critical histories of photography. (2nd pr. 1990). 4°. Owrps. -- And 4 o. (10).

LEONARD, Z. Analogue. Cambr., (etc.), MIT Press, (2007). (6), 185 pp. Lge. square 4°. Obrds. -- Id. You see I am here after all. New Haven, (etc.), Dia Art Foundation, 2010. 222, (2) pp. 4°. Ocl. -- 2 vols. First ed., both as new, publ. without dust-j.

MARTINEAU, P. & B. SALVESEN. Robert Mapplethorpe, the photographs. (2016). 4°. Ocl. w. dust-j. -- F. TERPAK & M. BRUNNICK. Robert Mapplethorpe, the archive. (2016). 4°. Or. pict. brds. -- W. EGGLESTON. Democratic camera. Photographs and video, 1961-2008. (2008). 4°. Ocl. w. dust-j. -- D. EKLUND. The pictures generation, 1974-1984. (2009). 4°. Ocl. w. dust-j. -- And 4 o. (8).

MCCAULEY, E.A. Industrial madness. Commercial photography in Paris, 1848-1871. (1994). Lge-8°. Ocl. w. dust-j. -- E.H. BROWN. The corporate eye. Photography and the rationalization of American commercial culture, 1884-1929. (2005). Ocl. w. dust-j. -- E. SIEGEL. Playing w. pictures. The art of Victorian photocollage. (2009). 4°-obl. Ohcl. pictorial brds. -- E. BRAYER. George Eastman. A biography. (1996). Lge-8°. Ocl. w. dust-j. -- And 8 o., incl. 4 vols. of 'Exposures' ('Photography and Egypt', 'Photography and cinema', 'Photography and death' and 'Photography and Africa'). (12).

MEER, H. v.d. (&) J. MULDER. Hollandse velden. (1998). 8°-obl. Ocl. w. dust-j. -- Th. MANNEKE. Amsterdam. (2016). Lge-4°. Obrds. Signed by the artist in pencil. -- J. BANNING. Comfort women/Troostmeisjes. Tekst H. Janssen. (2010). 4°. Owrps. -- K. BOUVY. Niemandsland. Berlijn zonder de muur/Berlin ohne die Mauer. (2002). 8°-obl. Owrps. -- E. OLAF. Siege and relief of Leiden. (2011). 4°. Owrps. Offprint of one of the articles from the first issue of 'Scherptediepte'/'Depth of field'. -- First editions. -- And 4 o. (9).

METZKER -- DAVIS, K.F. The photographs of Ray K. Metzker. Hall Family Foundation i.a.w. The Nelson-Atkins Museum of Art. New Haven, (etc.), (2012). 4°-obl. Ocl. - First edition.

MEYER, Fr. Portraits d'artistes/artists' portraits. (2013). Fol.-obl. Ocl. w. dust-j. -- T. O'NEILL. The A-Z of fame. Ed. by R. Morgan. (2013). Fol. Obrds. w. dust-j. -- J.A. TIFFANY. Eleanor Lambert: still here. (2011). Fol. Or. pictorial brds. -- J. GATTI. Contraluz. (2011). Fol. Ocl. w. dust-j. -- (4).

MOTTA PHOTOGRAPHY SERIES. Washington, Smithsonian Institution Press, (199799). 8 vols. of the series. 4°. Obrds. w. dust-j. -- And 7 o. (15).

NEAL, A. Los Ambulantes. The itinerant photographers of Guatemala. (1982). 4°. Ocl. w. dust-j. -- J. FIELDING. Look at me. Photographs from Mexico City. (2009). Fol. Ocl. w. dust-j. -- L. FOLGARAIT. Seeing Mexico photographed. The work of Horne, Casasola, Modotti, and Álvarez Bravo. (2008). Obrds. w. dust-j. -- M. CHAMBI. Photographs, 1920-1950. (1993). Lge-4°. Owrps. -- And 3 o. (7).

NESBIT, M. Atget's seven albums. (1992). 4°. Ocl. w. dust-j. -- P. SRAMEK. Piercing time: Paris after Marville and Atget, 1865-2012. (2013). Sm-4°. Owrps. -- J.E. BUERGER. French Daguerrotypes. (1989). 4°. Ocl. w. dust-j. -- A.-M. BERNARD, ed. The world of Proust as seen by Paul Nadar. (2002). Ocl. w. dust-j. -- And 1 o. (5).

O'NEILL, T. Rock 'n' roll album. Ed. by R. Morgan. (2014). Fol. Obrds. w. dust-j. First ed. Signed by the author (2x). -- Id. & G. MANKOWITZ. Breaking Stones. 1963-1965 a band on the brink of superstardom. (2016). Fol. Or. pictorial brds. -- (B.) DUFFY. Bowie. Five sessions. (2014). Sm-4°. Obrds. w. mylar cover. -- J. GREENBURG. The Rockabillies. (2009). 4°-obl. Or. pictorial brds. w. dust-j. -- And 3 o. (7).

O'NEILL, T. The A-Z of fame. Ed. by R. Morgan. (2013). Fol. Obrds. w. dust-j. -- F. KIRKLAND, ed. Douglas Kirkland, a life in pictures. (2013). Fol. Obrds. w. dust-j. -- And 3 o. (5).

PAYNE, Chr. Asylum. Inside the closed world of state mental hospitals. (2009). 4°-obl. -- S. FORTINO. Institutional. Photographs of jails, schools, a.o. Chicago buildings. (2005). 4°. -- S. RAMSON. Enfotografisk odyssé/A photographic Odyssey. (2010). Lge-4°. -- E. CADAVA & G. NOUZEILLES. The itinerant languages of photography. (2013). 4°. -- C. LUPTON. The Phantom Sanatorium: Beelitz Heilstätten. 2012. 4°. -- 5 vols. Or. binds., first 3 w. dust-j. -- And 7 o. on documentary photography. (12).

PENN -- HAMBOURG, M.M. (&) J.L. ROSENHEIM. Irving Penn centennial. (2017). Fol. Ocl. w. dust-j. (Minor scratches to jacket). -- S. GREENOUGH, (ed.). Irving Penn platinum prints. (2005). 4°. Ocl. w. dust-j. -- Added: B. SALVESEN. Harry Callahan: the photographer at work. (2006). Fol. Ocl. w. dust-j. -- And 2 o. on Irving Penn. (5).

PHOTOGRAPHERS AT WORK. A Smithsonian Series. Washington, (etc.), (1990-98). 18 vols. of the series. 4°. Owrps. -- Added: SEE. A Journal of Visual Culture. Premier issue (&) Issue 1:1-2:3. 1994-96. 7 vols. 4°. Owrps. -- (25).

PHOTOGRAPHS -- COLLECTION of photographs of France, i.a. views on Nice, Cannes and Monte-Carlo. 1890's. 14 albumen prints, partly captioned. Diff. sizes, but over all c. 200 x 270 mm. (Former mounting marks visible at v°-sides, some creasing in places, but in good condition).

PHOTOGRAPHS -- COLLECTION of photographs of Italy (21), Turkey (8), Madeira (2 rather dam. panorama views), Malta (5) and Algeria/Morocco (3). Mostly in- and exteriors, but also street scenes and portraits. 1880's/90's. 39 albumen prints, partly captioned, partly on mounts. Diff. sizes, but over all c. 210 x 280 mm. (Partly w. former mounting marks at v°-sides, some creasing in places, some chips and splits in places, but over all in good condition).

PHOTOGRAPHS -- COLLECTION of photographs of Switzerland, Hungary and Belgium, i.a. views on Antwerp, Blankenberghe (nice beach scene!), Basel, Budapest. 1880's/90's. 15 albumen prints, partly captioned. Diff. sizes, but over all c. 210 x 280 mm. (Partly w. former mounting marks at v°-sides, some creasing in places, but in good condition).

PHOTOGRAPHS -- MAASSLUIS - COLTOF -- PHOTO ALBUM containing 22 photographs by Levie or Abraham Coltof. N.d., 1910's-1920's (after 1911). All on thick cardboard mounts. 84 x 108 mm (20x) and 85 x 58 mm (2x). Sm-8°-obl. Ocl. w. dec. front side.

PHOTOGRAPHS -- PORTFOLIO containing photographs of German cities, Austria and Northern Italy. N.d. (1880's/90's). 63 albumen prints on mounts, the majority captioned in the plates. c. 204 x 256 mm each. In remnants of or. binding.

PINSON, S.C. Speculating Daguerre. Art and enterprise in the work of L.J.M. Daguerre. (2012). Ocl. w. dust-j. -- S. BARGER & W.B. WHITE. The daguerreotype, 19th c. technology and modern science. (1991). 4°. Ocl. w. dust-j. -- K.F.DAVIS. The origins of American photography, 1839-1885. From daguerreotype to dry-plate. (2007). Fol. Ocl. w. dust-j. -- M.A. FORESTA. American photographs. The first century. From the Isaacs Collection in the National Museum of American Art. (1996). 4°. Ocl. w. dust-j. -- And 1 o. (5).

ROEDER, G.H. The censored war. American visual experience during WW II. (1993). Lge-8°. Ocl. w. dust-j. -- A. AZOULAY. The civil contract of photography. (2008). Ocl. w. dust-j. -- Id. Death's showcase. The power of image in contemporary democracy. (2001). Sm-4°. Ocl. w. dust-j. -- INTIMATE ENEMY. Images and voices of the Rwandan genocide. 2006. W. photogr. by R. Lyons. Sm-4°. Ocl. w. dust-j. -- And 12 o. on photo journalism and documentary photographers. (16).

ROGERS, M. Delia's tears. Race, science, and photography in 19th-c. America. (2010). Obrds. w. dust-j. -- S. DANLY & C. LEIBOLD. Eakins and the photograph. Works by Thomas Eakins and his circle in the collection of the Pennsylvania Academy of the Fine Arts. (1994). 4°-obl. Owrps. -- E. BRAYER. George Eastman. A biography. (1996). Lge-8°. Ocl. w. dust-j. -- D.R. NICKEL. Dreaming in pictures. The photography of Lewis Carroll. (2002). Lge-4°. Ocl. w. dust-j. -- And 7 o. (11).

ROSENHEIM, J.L. Diane Arbus in the beginning, 1956-62. (2016). 4°. Obrds. -- A.W. LEE & J. PULTZ. Diane Arbus: family albums. (2003). 4°. Owrps. -- L. MCPHEE. River of no return. (2008). 4°-obl. Ocl. w. dust-j. -- Z. STRAUSS. 10 years. Ed. by P. Barberie. (2012). Lge-4°. Or. pictorial brds. w. dust-j. -- B. CRANE. Challenging vision. (2009). Lge-4°. Ocl. w. dust-j. -- And 7 o. (12).

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