BACH -- LEDBETTER, D. Bach's well-tempered clavier. The 48 preludes and fugues. (2002). Obrds. w. dust-j. -- Chr. WOLFF. Bach: Essays on his life and music. 1991. Ocl. w. dust-j. -- F. VALENTI. A performer's guide to the keyboard partitas of J.S. Bach. (1989). Ocl. w. dust-j. -- R. HILL, ed. Keyboard music from the Andreas Bach book and the Möller manuscript. 1991. 4°. Owrps. -- And 4 o. on B. (8).

BEETHOVEN -- LOCKWOOD, L. Beethoven, studies in the creative process. (1992). -- Id. Inside Beethoven's quartets. History, interpretation, performance. (2008). Sm-4°. -- H. SCHENKER. Beethoven's Ninth Symphony. A portrayal of its musical content, with running commentary on performance and literature as well. (1992). -- 4 vols. Or. binds. w. dust-j. -- And 4 o. on B. (8).

BERNARD, J.W. The music of Edgard Varèse. (1987). Lge-8°. -- L. CARLEY, ed. Frederick Delius: Music, art and literature. (1998). -- A. BAX. Farewell, my youth and other writings. Ed. by L. Foreman. (1992). -- C.A. HESS. Manuel de Falla and modernism in Spain, 1898-1936. (2001). -- 4 vols. Or. binds. w. dust-j. -- And 7 o. (11).

BEYER, A. The music of Per Nørgård. Fourteen interpretative essays. (1996). W. CD. -- G.D. GOSS. Sibelius. A composer's life and the awakening of Finland. (2009). -- P. HILL & N. SIMEONE. Messiaen. (2005). Sm-4°. -- J. SCHEBERA. Kurt Weill, an illustrated life. (1995). Lge-8°. -- 4 vols. Or. binds. w. dust-j. -- And 3 o. (7).

BRAHMS - MAHLER -- BELLER McKENNA, D. Brahms and the German spirit. 2004. -- R. BRINKMANN. Late idyll. The second symphony of Johannes Brahms. 1995. -- J.M. FISCHER. Gustave Mahler. Transl. by S. Spencer. (2011). -- Th.W. ADORNO. Mahler, a musical physiognomy. Transl. by E. Jephcott. (1992). -- 4 vols. Or. binds. w. dust-j. -- And 5 o. on Brahms & Mahler. (9).

BURMEISTER, J. Musical poetics. Transl. w. introd. & notes by B.V. Rivera. (1993). -- M.E. BONDS. Wordless rhetoric. Musical form and the metaphor of the oration. 1991. -- K. BERGER & A. NEWCOMB, eds. Music and the aesthetics of modernity. 2005. -- B. YUNG & J.S.C. LAM. Themes and variations. Writings on music in honor of Rulan Chao Pian. 1994. -- A.D. SHAPIRO. Music and context. Essays for John M. Ward. 1985. -- 5 vols. Ocl. (3) w. dust-j. -- And 9 o. (14).

D'ACCONE, F.A. The civic muse. Music and musicians in Siena during the MA and the Renaissance. (1997). Ohcl. w. dust-j. -- N. VICENTINO. Ancient music adapted to modern practice. Ed. by C.V. Palisca. (1996). Obrds. w. dust-j. -- M. PICKER, ed. The motet books of Andrea antico. (1987). 4°. Ocl. -- G.M. BOONE. Essays on medieval music in honor of David G. Hughes. 1995. Ocl. -- And 3 o. (7).

DAHL, B. The art of the blues. A visual treasury of black music's golden age. (2016). 4°. Obrds. w. dust-j. -- B.J. REAGON, ed. We'll understand it better by and by. Pioneering African American gospel composers. (1992). Ocl. w. dust-j. -- Chr. ALBERTSON. Bessie. Rev. ed. (2003). Obrds. w. dust-j. -- S.E. SMITH. Dancing in the street. Motown and the cultural politics of Detroit. 1999. Ohcl. w. dust-j. -- A. FRY. Paris blues. African American music and French popular culture, 1920-60. (2014). Owrps. -- And 7 o. (12).

FINSON, J.W. Robert Schumann, the book of songs. 2007. -- H. WHITE, ed. Johann Joseph Fux and the music of the Austro-Italian baroque. (1992). -- C. BROWN. A portrait of Mendelssohn. (2003). -- E.T. HARRIS. Handel as Orpheus. Voice and desire in the chamber cantatas. 2001. -- 4 vols. Or. binds. w. dust-j. -- And 7 o. (11).

GAFFURIO, F. The theory of music. Ed. by C.V. Palisca. (1993). -- F. LERDAHL & R. JACKENDOFF. A generative theory of tonal music. (1983). -- J. BAMBERGER. The mind behind the musical ear. How children develop musical intelligence. 1991. -- N.L. WALLIN, (a.o.). The origins of music. (2000). -- 4 vols. Or. binds. w. dust-j. -- And 11 o. (15).

GILBERT, S.E. The music of Gershwin (1995). -- S. BANFIELD. Jerome Kern. (2006). -- R. MONK, ed. Elgar studies. (1990). -- P. FROMM. A life for new music. Selected papers. Ed. by D. Gable & Chr. Wolff. 1988. -- C.J. OJA. Colin McPhee, composer in two worlds. (1990). -- 5 vols. Or. binds. (4) w. dust-j. -- And 13 o. (18).

GILMORE, B. Harry Partch, a biography. (1998). Obrds. w. dust-j. -- J. CAGE. I-VI. (The Charles Eliot Norton Lectures). (1990). W. 2 audiocassettes. 4°. Ocl. w. dust-j. -- W. RUSSO. Composing music, a new approach. (1988). 4°. Owrps. ring binder. -- Ph. LAMBERT. The music of Charles Ives. (1997). Obrds. w. dust-j. -- A. WEISBERG. Performing 20th-c. music. A handbook for conductors and instrumentalists. (1993). Ocl. w. dust-j. -- And 7 o. (12).

HAMMOND, F. Music & spectacle in baroque Rome. Barberini patronage under Urban VIII. (1994). -- Id. Girolamo Frescobaldi, his life and music. 1983. -- M. CYR. Performing baroque music. (1992). Lge-8°. -- N. PIRROTTA. Music and culture in Italy from the Middle Ages to the baroque. 1984. -- 4 vols. Or. binds. w. dust-j. -- S. BONTA, ed. The instrumental music of Giovanni Legrenzi. Sonate a due e tre. Opus 2 (&) 10. 1984-92. 2 vols. 4°. Owrps. (Harvard Publ. in Music, 14 & 17). -- And 1 o. (7).

HOWAT, R. The art of French piano music. Debussy, Ravel, Fauré, Chabrier. (2009). -- G. FLOROS. Gustav Mahler, the symphonies. (1993). -- J.R. BRISCOE, ed. Debussy in performance. (1999). -- B. FOSTER. The songs of Edvard Grieg. (1990). -- J. KALLBERG. Chopin at the boundaries. Sex, history, and musical genre. 1996. -- 5 vols. Or. binds. w. dust-j. -- And 5 o. (10).

INDIA -- NIJENHUIS, E. te. Indian music. History and structure. 1974. Owrps. (Spine ends a bit dam.). -- Id. Varnam. Selected concert studies for the South Indian lute. (2001). 4°. Owrps. W. 2 CD's. -- Id. & S. GUPTA. Sacred songs of India. Diksitar's cycle of hymns to the goddess Kamalâ. (1987). 2 vols. Owrps. -- W. KAUFMANN. The Râgas of North India. (1968). Or. bind. w. dust-j. -- N.A. JAIRAZBHOY. The rags of North Indian music. (1971). Obrds. -- And 1 o. (7).

INSTRUMENTS -- HERBERT, T. The trombone. - E. HOEPRICH. The clarinet. - J. WALLACE & A. McGRATTAN. The trumpet. - S. COTTRELL. The saxophone. - J. MONTAGU. Timpani & percussion. - A. POWELL. The flute. - G. BURGESS & B. HAYNES. The oboe. - 2002-12. 7 vols. Obrds. w. dust-j. (4) & owrps. (Yale Musical Instrument Series).

INSTRUMENTS -- MAAS, M. & J. McINTOSH SNYDER. Stringed instruments of ancient Greece. (1989). 4°. Ocl. w. dust-j. -- L. CREMER. The physics of the violin. (1984). Ocl. w. dust-j. -- S. WAKSMAN. Instruments of desire. The electric guitar and the shaping of musical experience. (1999). Ohcl. w. dust-j. -- A. BARNES & M. RENSHAW. The life and work of John Snetzler. (1994). 4°. Obrds. w. dust-j. -- M.W. JACKSON. Harmonious triads. Physicists, musicians, and instrument makers in 19th-c. Germany. (2006). Ocl. w. dust-j. -- And 7 o. on the subject. (12).

JAZZ -- KANIA, C., ed. Jazz. The iconic images of Ted Williams. (2016). 4°. Obrds. -- D.M. CASSIDY. Painting the musical city. Jazz and cultural identity in American art, 1910-40. 4°. Ocl. w. dust-j. -- W.H. KENNEY, Jazz on the river. (2005). Obrds. w. dust-j. -- W. RUSSO. Jazz, composition & orchestration. (1995). W. CD. Owrps. -- K. RATTENBURY. Duke Ellington, jazz composer. (1990). Ocl. w. dust-j. -- And 11 o. (16).

JAZZ -- SAUL, S. Freedom is, freedom ain't. Jazz and the making of the Sixties. 2003. -- M. HEFFLEY. Northern sun, southern moon. Europe's reinvention of jazz. (2005). -- P. BURKE. Come in and hear the truth. Jazz and race on 52nd street. (2008). -- P. WHALEY, Jr. Blows like a horn. Beat writing, jazz, style, and markets in the transformation of U.S. culture. 2004. -- M. ZWERIN. The Parisian jazz chronicles. An improvisational memoir. (2005). -- 5 vols. Or. binds. w. dust-j. -- And 14 o. (19).

LISZT, F. Die Ziegeuner und ihre Musik in Ungarn. Deutsch bearbeitet v. P. Cornelius. Pest, 1861. (4), 256 pp. Mod. bind. (Ti-p. faintly stained, a bit foxed). - First German edition.

LOWINSKY, E.E. Music in the culture of the Renaissance and other essays. Ed. by B.J. Blackburn. (1989). 2 vols. 4°. Ocl. -- T.J. McGEE. Medieval and Renaissance music. A performer's guide. (1990). Obrds. w. dust-j. -- G. TOMLINSON. Music in Renaissance magic. Towards a historiography of others. (1993). Ohcl. w. dust-j. -- C.V. PALISCA. Humanism in Italian Renaissance musical thought. (1985). Ocl. w. dust-j. -- (5).

MORREAU, A. Emanuel Feuermann. (2002). W. CD. -- K. BAZZANA. Wondrous strange. The life and art of Glenn Gould. (2004). -- M. ELLIOTT. Singing in style. A guide to vocal performance practices. (2006). -- J.F. CONE. Adelina Patti, queen of hearts. (1994). -- R. HOLDEN. The virtuoso conductors. The Central European tradition from Wagner to Karajan. (2005). -- 5 vols. Or. binds. w. dust-j. -- And 7 o. (12).

MOZART -- MARTY, J.-P. The tempo indications of Mozart. (1988). Ocl. -- H. ABERT. W.A. Mozart. Transl. by S. Spencer. (2007). Obrds. w. dust-j. -- A. TYSON. Mozart: Studies of the autograph scores. 1987. Ocl. w. dust-j. -- W.J. ALLANBROOK. Rhythmic gesture in Mozart. Le nozze di Figaro & Don Giovanni. (1983). Ocl. w. dust-j. -- And 4 o. on M. (8).

NARMOUR, E. The analysis and cognition of melodic complexity. The implication-realization model. (1992). Ocl. w. dust-j. -- D. HARRISON. Harmonic function in chromatic music. A renewed dualist theory and an account of its precedents. (1994). Ocl. w. dust-j. -- D. LEWIN. Generalized musical intervals and transformations. (1987). Ocl. -- H. SCHENKER. Harmony. Ed. & annot. by O. Jonas. (1980). Owrps. -- And 2 o. (6).

NEUMEYER, D. The music of Paul Hindemuth. (1986). -- R. TAYLOR, ed. Furtwängler on music. Essays and addresses. (1991). -- A. FORTE. The atonal music of Anton Webern. (1998). -- R. BRINKMANN & Chr. WOLFF, eds. Music of my future. The Schoenberg quartets and trio. 2000. -- D. HEADLAM. The music of Alban Berg. (1996). -- 5 vols. Or. binds. (4) w. dust-j. -- And 7 o. (12).

OPERA -- BAKER, E. From the score to the stage. An illustr. history of continental opera production and staging. (2013). 4°. -- J. DIZIKES. Opera in America, a cultural history. (1993). Lge-8°. -- Ph. GOSSETT. Divas and scholars. Performing Italian opera. (2006). -- R. STROHM. Dramma per musica. Italian opera seria of the 18th c. (1997). -- A. GERHARD. The urbanization of opera. Music theater in Paris in the 19th c. (1998). -- And 10 o. on the subject. (15).

OPERA -- BIANCONI, L. & G. PESTELLI, eds. Opera production and its resources. - Opera on stage. - Opera in theory and practice, image and myth. - Chicago, (1998-2003). 3 vols. Ocl. w. dust-j. (The Hist. of Italian Opera Part II/Systems, vol. 4-6).

OPERA -- RICE, J.A. Antonio Salieri and Viennese opera. (1998). -- B. GASPAROV. Five operas and a symphony. Word and music in Russian culture. (2005). -- A. BASEVI. The operas of Giuseppe Verdi. (2013). -- M. OSSI. Divining the oracle. Monteverdi's Seconda Prattica. (2003). -- 4 vols. Or. binds. w. dust-j. -- W.C. HOLMES, ed. The operas of Alessandro Scarlatti. Vol. IX: La Statira. 1985. 4°. Owrps. (Harvard Publ. in Music 15). -- And 6 o. on the subject. (11).

ORDEN, K. v. Music, discipline, and arms in early modern France. (2005). -- G.J. COWART. The triumph of pleasure. Louis XIV & the politics of spectacle. (2008). -- J. LESTER. Compositional theory in the 18th c. 1992. -- P. GOUK. Music, science and natural magic in 17th-c. England. (1999). -- 4 vols. Or. binds. w. dust-j. -- A. ASHBEE. Records of English court music. Vol. 1-5. (1986-91). 5 (of 9) vols. Obrds. -- And 2 o. (11).

PALISCA, C.V. The Florentine Camerata. Documentary studies and translations. (1989). Ocl. w. dust-j. -- Chr. WOLFF & D.R. MELAMED, eds. Anguish of Hell and Peace of Soul. Compiled by Burckhard Grossmann. A 1623 collection of sixteen motets on Psalm 116 by Michael Praetorius, Heinrich Schütz and others. (1994). 4°. Owrps. -- Th. CONNOLLY. Mourning into joy. Music, Raphael, and Saint Cecilia. (1994). Obrds. w. dust-j. -- Chr. PAGE. The Christian West and its singers. The first thousand years. (2010). Obrds. w. dust-j. -- And 5 o. (9).

PINCH, T. & F. TROCCO. Analog days. The invention of the Moog synthesizer. 2002. Sm-4°. Ohcl. w. dust-j. -- J.P. KRAFT. Stage to studio. Musicians and the sound revolution, 1890-1950. (1996). Ocl. w. dust-j. -- L.B. MEYER. Music, the arts, and ideas. Patterns and predictions in 20th-c. culture. (1994) Owrps. -- R. PRATT. Rhythm and resistance. The political uses of American popular music. (1990). Owrps. -- A.S. WEISS. Experimental sound and radio. (2001). Owrps. -- And 9 o. (14).

REYNOLDS, C.A. Motives for allusion. Context and content in 19th c. music. 2003. -- E.F. KRAVITT. The lied. Mirror of late romanticism. (1996). -- P.M. POTTER. Most German of the arts. musicology and society from the Weimar Republic to the end of Hitler's Reich. (1998). -- M.W. JACKSON. Harmonious triads. Physicists, musicians, and instrument makers in 19th-c. Germany. (2006). -- K. PAINTER. Symphonic aspirations. Germanic music and politics, 1900-45. 2007. -- 5 vols. Or. binds. w. dust-j. -- And 7 o. (12).

RUPPE, C.F. Theorie der hedendaagsche muzijk. Amst., J. Allart, 1809-10. 2 in 1 vol. (2), xiiii, 186; (4), iv, 330 pp. Cont. marbled hcf. w. marbled sides. (Outer corners a bit bumped, small stamp on half-ti., but a good copy).

SAUNDERS, S. & D.L. ROOT. The music of Stephen C. Foster. A crit. ed. (1990). 2 vols. 4°. Ocl. -- S. DEVEAUX & W.H. KENNEY, eds. The music of James Scott. (1992). 4°. Ocl. (Spine a bit dam.). -- D.K. ANDERSON. Charles T. Griffes, a life in music. (1993). Ocl. w. dust-j. -- R. MONK, ed. Elgar studies. (1990). Obrds. w. dust-j. -- Id. Edward Elgar, music and literature. (1993). Obrds. w. dust-j. -- And 2 o. (8).

SPITZER, M. Metaphor and musical thought. (2004). Ohcl. w. dust-j. -- D. ALBRIGHT, ed. Modernism and music. An anthology of sources. (2004). Owrps. -- D. KAHN. Noise, water, meat. A history of sounds in the art. (1999). Ocl. w. dust-j. -- P.V. BOHLMAN, ed. Jewish musical modernism. Old and new. (2008). 4°. Ohcl. w. dust-j. -- And 10 o. (14).

STEPHENSON, K. What to listen for in rock. A stylistic analysis. (2002). Obrds. w. dust-j. -- E. WEISBARD, ed. This is pop. In search of the elusive at experience music project. 2004. Ocl. -- D. McKINNEY. Magic circles. The Beatles in dream and history. 2003. Ohcl. w. dust-j. -- P. TAYLOR. Impresario. Malcolm McLaren and the British New Wave. (1988). Lge-8°. Owrps. -- B. GENDRON. Between Montmartre and the Muddclub. Popular music and the Avant-Garde. (2002). Owrps. -- And 11 o. (16).

VERSCHUERE REIJNVAEN, J. Catechismus der Muzijk. Amst., (1807). xv, (1), 232 pp. W. engr. ti. & 38 fold. plates w. engr. noted music. Old hcl. w. marbled paper sides. (Lower outer corner ti.-p. cut out and rep., a bit loose).

WAGNER -- MÜLLER, U. & P. WAPNEWSKI, eds. Wagner handbook. Transl. by J. Deathridge. (1992). Ocl. w. dust-j. -- J. TREADWELL. Interpreting Wagner. (2003). Obrds. w. dust-j. -- P. CARNEGY. Wagner and the art of the theatre. (2006). Obrds. w. dust-j. -- B. MILLINGTON & S. SPENCER, eds. Wagner in performance. 1992. Ocl. w. dust-j. -- And 4 o. on W. (8).

WILSON, P. The music of Béla Bartók. (1992). -- J.M. BAKER. The music of Alexander Scriabin. (1986). -- N. MINTURN. The music of Sergei Prokofiev. (1997). -- B. MARTYN. Rachmaninoff: composer, pianist, conductor. (1990). -- 4 vols. Or. binds. w. dust-j. -- P.C. v.d. TOORN. The music of Igor Stravinsky. (1983). Owrps. -- And 5 o. (10).

WORLD MUSIC -- KUBIK, G. Theory of African music. (2010). 2 vols. W. 2 CD's. -- V. ERLMANN. Nightsong. Performance, power, and practice in South Africa. (1996). -- Th. TURINO. Nationalists, cosmopolitans, and popular music in Zimbabwe. (2000). -- D.B. COPLAN. In the time of cannibals. The word music of South Africa's Basotho's migrants. (1994). -- E. CHARRY. Mande music. Traditional and modern music of the Maninka and Mandinka of Western Africa. (2000). -- 6 vols. Owrps. -- And 7 o. on African music. (13).

WORLD MUSIC -- MITCHELL, T. Flamenco deep song. (1994). Obrds. w. dust-j. -- A. VIDAN. Embroidered with gold, strung with pearls. The traditional ballads of Bosnian women. (2003). Owrps. -- J.C. SUGARMAN. Engendering song. Singing & subjectivity at Prespa Albanian weddings. (1997). W. CD. Owrps. -- D.A. BUCHANAN. Performing democracy. Bulgarian music and musicians in transition. (2006). Owrps. -- T.K. RAMNARINE. Ilmatar's inspirations. nationalism, globalization, and the changing soundscapes of Finnish folk music. (2003). Owrps. -- And 5 o. (10).

WORLD MUSIC -- PIHL, M.R. The Korean singer of tales. (1994). Ocl. w. dust-j. -- N. HESSELINK. P'ungmul. South Korean drumming and dance. (2006). Owrps. -- M.B. BAKAN. Music of death and new creation. Experience in the world of Balinese gamelan Beleganjur. (1999). W. CD. Owrps. -- M. TENZER. Gamelan Gong Kebyar. The art of 20th-c. Balinese music. (2000). W. 2 CD's. 4°. Owrps. -- D. WONG. Sounding the center. History and aesthetics in Thai Buddhist performance. (2001). W. CD. Owrps. -- And 5 o. (10).

WORLD MUSIC -- RADANO, R. & P.V. BOHLMAN, eds. Music and the racial imagination. (2000). -- P. WADE. Music, race, and nation. Música tropical in Colombia. (2000). -- J. GUILBAULT. Zouk: World music in the West Indies. (1993). -- B. DIAMOND, (a.o.). Visions of sound. Musical instruments of First Nations communities in Northeastern America. (1994). 4°. -- 4 vols. Owrps. -- And 9 o. (13).

WORLD MUSIC -- WADE, B.C. Imaging sound. An ethnomusicological study of music, art, and culture in Mughal India. (1998). 4°. -- R. BURCKHARDT QURESHI. Sufi music of India and Pakistan. Sound, context and meaning in Qawwali. (1995). Lge-8°. -- L. ROWELL. Music and musical thought in early India. (1992). -- H. MYERS. Music of Hindu Trinidad. Songs from the India diaspora. (1998). -- D. COHEN & R. KATZ. Palestinian Arab music. A Maqâm tradition in practice. (2006). -- 5 vols. Owrps. -- And 6 o. (11).

YOUNG, G. The Sackbutt blues. Hugh Le Caine, pioneer in electronic music. (1989). Obrds. w. dust-j. -- G.E. LEWIS. A power stronger than itself. The AACM and American experimental music. (2008). Owrps. -- R.A. PETERSON. Creating country music. Fabricating authenticity. (1997). Ocl. w. dust-j. -- T. SCHERMAN. Backbeat. Earl Palmer's story. (1999). Ohcl. w. dust-j. -- And 7 o. (11).